7folios. 23-24 x 34-35 em. 1 column, 10 lines. The top edges ofiff 1-4 have been trimmed. Ff. 3', 6 and 7'are partly dark. Ff. 3 and 5 have been pressed smooth. Original texts erased for cameral headlines.
15th c. Large initials: 1) reddish brown (brick-red tinge) alternatively ornamented with red and green hairlines, 2) red (various tones) ornamented with green hairlines, and 3) blue ornamented with red hairlines. Small initials highlighted with red. Quadratic notation on a red four-line staff (18-18.5 mm, ruled with a rastrum), custos, b rotundum, b quadratum, linea, cephalicus (not many). Photograph ofifi. 4'on p. 181. Bears a stylistic resemblance to Antiphoner No. 193 (Upsalense).
ANTIPHONARIUM CUM HYMN IS. Agrees with the use of Uppsala archdiocese, Breviarium I 'psalense 1496 passim. Note that there are materials for Good Friday on bif. 1/2, although the office of St. Andrew is located there as well. F. 1 [Feria vj in parasceve] beginning with the 2nd resp. of the III nocturn. [Jhcsuiii tradidif] VEt ingressus,but the passage cannot be identified because the top of the leaf has been trimmed. Ends scriptam of the ant. ad Benedictus, Posueruni super caput.
F. 2 [Andreae apostoli] beginning with the 2nd ant. of the II noct., [Antequain te ascenderet], but the passage cannot be identified because the top of the leaf has been trimmed. Ends re[cipiat] of the 3rd resp. of the same nocturn, O bona crux. E 3 [De sancta Anna] beginning intromit of the ant. ad Magnificat at I vespers, [Coeleste beneficium], and ending memo[rata] of the 3rd resp. of the I noct., Si ratio uerbis V Et. <®°This is a variant of Analecta hymnica XXI' 1897 No. 18. Cf. Antiphoners No. 33 ff. 6-8'and No. 70 ff. 1-2". Hymn: Clara d[i]eigaudia. F. 4 [Idem] continuing [Da]uid of the 1st ant. at lauds, [Virgo semper haec\. "*" Hymn: Orbis exultans celebrct; De sancta lucia ending in the ant. ad Magnificat at I vespers, /;; tua paeiencia. ¦*" Hymn: Virginis proles (ta). F. 5 [Idem] continuing continue of the 2nd ant. at lauds, [Lucia virgo quid]; In festo sancti thome apostoli; Sancto siluestro; In octava sanctorum stephani, iohannis et innocencium; [Henrici episcopi et martyris] ending subiecta of the 4th ant. at I vespers, O quamfelix. Analecta hymnica XXVI1897 No. 32. F. 6 [idem] continuing [coro]na of the ant. ad Magnificat at II vespers, [Christe virtus]; Fabiani et sebastiani martyrum ending pre[clarus[ of the 3rd resp. of the I noct., Erat namque. w Hymn: Sanctorum meritis (ta). F. 7 [Idem] continuing sanctissimorum of the 3rd resp. of the II noct., [Egregie Dei] V Socius, and ending lux of the 2nd resp. of the III noct., //; illo loco.
F 2" 4903 (?) "HerVthi Finnes Inbundet Copior Kon: Maj: lire ff Befalningz Zedeler och [...] Af Norre Prosterijt i bsterbotn, 1615".The last figure of the year may be something else. F 3'3508 "Mickell Andersons [...] For Arligerentan,Tienden. [...] Peningerne Aff Borgolan [...]". "Finland 1604 No 12".
F. 6' 5849 "Hindrick Nilsons Reckenskap For Arligerentan Tienden Monadz och Skiutzferdz Peningerne affWiborgz Biorkoo och Seckirfue Sochner i Wiborgz Lan Ifra Michaehs Ahr 1604 Intill Johanes anno etc 1605", and so on. "Finland 1604 No 24"."Register -2". F. 7'3518 "Salmon Joensons Reckenskap For Arlige Rentan Tienden Monadz och Skiutzferdz Peningerne Aff Borgo Lan Anno etc 1605". "Finland 1605 No 5".
Lit.: Maliniemi s.a. p. 81, which assigns the date of the Ms. to the 15th c ("Ant. VI."). When Dr. Maliniemi made a description of the fragment it consisted of four leaves, and he identified it broadly as Swedish; Helander 2001 pp. 187,200,227. Helander considers that this source belongs to the period 1460-1530.
LITURGICAL USE: Probably archdiocese of Uppsala. ORIGIN: Added according to liturgical use. OTHER NOTES: See also: F.m. II.103, II.104, II.124, IV.193.